"Picture frames" by Thyra Samter Winslow is a collection of short stories written in the early 20th century. The pieces sketch sharp, witty portraits of American women navigating love, work, class, and family across Midwestern towns and big-city settings. Expect intimate, character-driven vignettes that probe ambition, respectability, and the stories people tell about themselves. The opening of the collection presents three portraits. In Little Emma, an Iowa girl heads to Chicago chasing the myth of the rich, world-weary benefactor, reinvents herself (with a friend’s guidance) as a “simple country” type, and lands a job where the older partner courts her with culture and, to her surprise, straightforward marriage. In Grandma, a seventy-three-year-old rotates among her grown children—overworked at one house, needled at another, gently ignored at a third—but on the train transforms herself into a gracious, beloved matriarch by spinning warm, idealized versions of her family to fellow travelers, a glow that fades when a chauffeur—not family—meets her in New York. Mamie Carpenter shifts to a Missouri town, where a pretty candy clerk from the wrong street resents the local “society” set and coolly sets her sights on wealthy Marlin Embury, engineering chance meetings and a modest persona that intrigues him, even as she avoids letting him see her home. (This is an automatically generated summary.)